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Figure with Meat

by Grant Tyler

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    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

    bonus item: pdf of "written while listening to Figure with Meat, music by Grant Edward Tyler" by Billie Chernicoff.
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    FLAC on compact disc. 700mb CD, cover slip, sleeve packaging.

    Includes unlimited streaming of Figure with Meat via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 6 Shards & Chapels releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Untitled, Blisshole Vol. II, Figure with Meat, Los Angeles, Blisshole Vol. 1, and summer snow. , and , .

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1.
Part 1 25:37
2.
Part 2 29:33

about

Cover Image:
Model for the Atom (1858)
Edwin Babbit

For Francis.

granttyler.info
2019

shard & chapel CDs

----

written while listening to Figure with Meat, music by Grant Edward Tyler
by Billie Chernicoff
blazingstadium.com/issue-7

You can’t help a woman
humming —
or whistling the stripped down
melody. Nor can I
not hear her, a surge
in the foreground, a bell
close up, foreplay,
infinite,
infinitesimal.

What meat do you
mean —
the tongue?
A heart
beside itself,
twisting around itself,
breaking — a dance,
falling, a dance.

It becomes
even less —
origin,
first thing —
a swell I can’t help
calling feeling —
and can’t help feeling,
or calling.

Sound of no thing,
the nothing inside of
a bell, unfurling
a rushing train,
twilight —
tinnitus,
tintinnabulation.

O haunted Poe,
walking the old streets
of Baltimore —
Amity, Mulberry, down
to the harbor, hectic
meat in love.

Horror, the hair of
the back of the neck
erect, to tremble
or shake —
with (religious) awe.

You can’t help
his nerves
or the birds, or a river,
can’t help our brief span
of attention, a quiver,
a tell-tale heart,
or our fatal lack of
imagination,
our not being able
to get across —
Berryman
tilting,
Celan leaping,
Virginia
drowning herself
in the Ouse, stones
in her pockets,
and April,
who can help April?

I can’t help hearing
a siren,
a heartbeat,
the hero’s
heart tied to a mast.

The screen goes dark
and I can’t help
feeling alarm,
as if I’d been watching
the music, and not
merely staring
and hearing a heart
on its own —
minimal, animal, alien,
criminal.

The sound of what happens
between the stations,
Christ or Orpheus
tuning in —
because anything
might instruct a person,
anyone befall her.

The heart is a figure
8, meat —
from the root
meaning wet —
unlimited streaming,
the muse, a bowed bell.

credits

released November 26, 2019

license

all rights reserved

tags

about

Shards & Chapels Chicago, Illinois

Shards & Chapels is oriented toward oblique music.
g7.4k@protonmail.com

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